Barry Tuckwell

D.E.P. Barry Tuckwell


Orchestral
At 15, Tuckwell was appointed by Joseph Post as third horn with the Melbourne Symphony Orchestra. A year later, he joined the Sydney Symphony Orchestra under Eugene Goossens, where he remained for three and a half years before leaving for England. His first appointment in 1951 was with the Hallé Orchestra under Sir John Barbirolli.[6] After two years, he went to the Scottish National Orchestra under Karl Rankl and a year later to the Bournemouth Symphony Orchestra under Charles Groves. In 1955, he was appointed first horn with the London Symphony Orchestra.[6]

During his 13 years with the LSO, a co-operative orchestra run by the players, he was elected to the Board of Directors and was Chairman of the Board for six years. The chief conductors during this time were Josef Krips, Pierre Monteux, István Kertész and André Previn.

Soloist
He resigned from the orchestra in 1968 to pursue a career as a soloist and conductor. For the next thirty years, he carved out a career exclusively as soloist — one of the few horn virtuosos to have done so[citation needed], rather than combining occasional concert performances with an orchestral position or a teaching post. At the age of 65, he decided to retire. His last concert was with the Baltimore Symphony Orchestra in 1997, at the age of 65.[7]

He was one of the most recorded horn soloists,[8] having made over 50 recordings. He has received three Grammy Award nominations.

Chamber music
In 1962 he formed a trio with Brenton Langbein (violin) and Maureen Jones (piano) for a performance of the Horn Trio by Don Banks, which was commissioned by the Edinburgh Festival. The trio played together for many years, touring in Europe, Asia and Australia until the death of Brenton Langbein. They recorded the Banks Trio, the Brahms Trio, and Quatre Petites Pièces by Charles Koechlin for Tudor records.

He formed a wind quintet in 1968, which also toured internationally.

Conducting
Tuckwell was also well known as a conductor, appearing with leading orchestras in Europe and the United States. For four seasons he was Chief Conductor of the Tasmanian Symphony Orchestra and in 1982 founded the Maryland Symphony Orchestra. He enjoyed a long association with the Northern Sinfonia and was appointed their Guest Conductor following an acclaimed fourteen-concert tour of North America.

Recordings as a conductor include three CDs with the London Symphony Orchestra of music by Dvořák, Elgar and Wagner. More recently, he conducted the West Australian Symphony Orchestra in an ABC Classics recording of the Mozart horn concertos with soloist Lin Jiang and The Queensland Orchestra for Melba Recordings of horn concertos with Ben Jacks.

Works written for Tuckwell
Many composers wrote works for Barry Tuckwell. Oliver Knussen, Don Banks, Gunther Schuller, Robin Holloway, and Thea Musgrave wrote concertos; Richard Rodney Bennett wrote "Acteon" for horn and large orchestra at Tuckwell's request.[9]

Writings
Barry Tuckwell wrote three important books on the horn and horn playing. For the Yehudi Menuhin Music Guides, he wrote the book on the horn. His definitive manual Playing the Horn was published by Oxford University Press (now out of print) as was Fifty First Exercises.

Teaching
Tuckwell was famous for his master classes. He was Artist-in-Residence at Dartmouth College and Pomona College in the USA, and was Professor of Horn at the Royal Academy of Music in London from 1963 until 1974.[6] He served as Distinguished Visiting Faculty at the Peabody Conservatory in Baltimore in the 1980s and 1990s. He held the position of Professorial Fellow at the University of Melbourne and for several years hosted the annual Barry Tuckwell Institute at Colorado Mesa University in Grand Junction, Colorado.

Awards and honours
Tuckwell was made an Officer of the Order of the British Empire in 1965 and a Companion of the Order of Australia in 1992.[10]

Among the many other awards he has received are an Honorary Doctor of Music from the University of Sydney, Fellow of the Royal College of Music, Fellow of the Royal Society of Arts, the George Peabody Medal for Outstanding Contributions to Music in America, the Andrew White Medal from Loyola College, the Harriet Cohen Memorial Award, the J. C. Williamson Award, and most recently, the Sir Bernard Heinze Award for outstanding contribution to music in Australia.

He was also an honorary member of both the Royal Academy of Music and the Guildhall School of Music and Drama in London.

He was the first president of the International Horn Society and was honorary president of the British Horn Society and the patron of the Melbourne International Festival of Brass.

He was a National Patron of Delta Omicron, an international professional music fraternity.[11]

In 2007, Tuckwell received the JC Williamson Award for his life's work in the live performance industry.


R Strauss Horn Concerto No 1 - 3 Barry Tuckwell 1987